Miranda Mellis

CROCOSMIA by Miranda Mellis

Is there a way out? Mellis posits a miracle, a dream within, almost invisibled but not yet, of ecological and ethical wisdom and liberation. Crocosmia reminds us of the values we thought we had and, as its syncretic miracle blooms to show the way, could have again.


I love the writing of Miranda Mellis. Here’s a review I wrote about her 2012 collection None of This Is Real. Crocosmia is perhaps her best work so far. A dream, something that seems impossible, a way out of the death-spiral the human race seems locked in. “Imagine no possessions / I wonder if you can.” On the one hand, its vision seems outrageously impossible — and yet, there’s a groundbreaking needed for the miraculous, and some kind of full vision to aim for. “You may say I’m a dreamer / But I’m not the only one.” This novel is also about generational change, and about mothers and daughters. Highly recommended.


Order and more info here: https://nightboat.org/book/crocosmia/

Five Fiction Reviews: Dimock, Saer, Murong, Lispector, Mellis

I reviewed five fiction titles for the latest (and sadly, the last) issue of Harp & Altar: NONE OF THIS IS REAL by Miranda Mellis; A BREATH OF LIFE by Clarice Lispector; LEAVE ME ALONE by Murong Xuecun; SCARS by Juan José Saer; and GEORGE ANDERSON by Peter Dimock.

“None of This Is Real… manages to speak precisely to that helplessness and guilt permeating the simultaneity of the climate-changed, apocalypse-always zeitgeist and the rapturous technowonderful singularity as advertised on your hand-holding device.”

Read the reviews here.

__________________________________

This great issue of Harp & Altar also has: poetry and fiction by Tom Andes, Jessica Baran, Leopoldine Core, Ian Dreiblatt, Matthew Klane, Linnea Ogden, Jennifer Pilch, Michael Rerick, Jason Snyder, Donna Stonecipher, Sally Van Doren, and Tom Whalen; Jesse Lichtenstein on The Arcadia Project; Bianca Stone on Farrah Field; Michael Newton’s gallery reviews; and art by Adam Stolorow.

Scroll to Top