Author name: eugene

Clam Down by Anelise Chen

A modern love story embedded within a metafictional review of animal-metamorphosis tales placed within a cautionary environmental fable enclosed by an immigrant family’s saga. Anelise Chen disarmingly walks the reader through this blooming, elaborate, emotional game of shells.

More info here.

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State Champ by Hilary Plum

Where’s the red line, sheeple? State Champ knows. A defiant punk voice, fucked up and bristling from defeats, growls her barbed protest song, so vivid and direct you can’t tell when its ragged refusals transform into the limpid melodic rill of exit music and fight song. Hilary Plum has composed an athletic, poised, and complex fury, knowing of the body and leavened with foils, to remind us how to take a stand.

More info here.

I’ll be talking with Hilary Plum on May 14that Books Are Magic in Brooklyn. More info here.

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The Adjudicator by Susan Daitch

When everything is findable, it’s clear as mud. And, surprise, the genetically engineered future is full of fuck ups. Profound questions of society and consciousness are sewn into a propulsive spycraft plot set within a Byzantine surveillance state. Who are we when we become made to order? Daitch expertly superimposes biotech, grim office politics, and literalized empathy to construct her Pynchonesque scenes. A mirror-dream to get lost in.

More info here.

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Vague Predictions and Prophecies by Daisuke Shen

Confessions of sexbot addicts, confessions of divination addicts, mighty marvels fighting, further rabbit god incarnations, cosmological parables that gust inverted the umbrella of your epistemology—Shen’s stories are literary NDEs where worlds dissolve and shift but the rock-steady sadness does not. Vague Predictions & Prophecies is a sensitive, risky, and brilliant collection of dazzles engineered to wink out of a profound and dark terrain.

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“The days just go by so fast” | A scene from this morning’s notebook

Frank Exit and I were having breakfast before work at a diner. I told him I’d seen [in8 ID] recently.

“Oh yeah? How’re they doing? I haven’t seen them in the longest.”

“They seems good,” I said, “except they report having some serious hearing problems in one ear.” (Then I added that [in8 ID] told me its preferred pronoun is “it,” which reflects its post-human nature. Frank ignored this part.)

“Shit. We’re all getting so old.”

“How about you?”

“I had all those eye surgeries last year and now I can barely read. It’s really impacted all the to-the-death hand-to-hand fights I seem to always get myself into. My sciatica’s acting up.” Frank paused. “And the days just go by so fast,” he finally concluded.

“Yeah,” I said.

Frank took a bite of the scrambled eggs he said he wasn’t supposed to have due to the cholesterol and said, “Tomorrow is _____’s bday,” and he named our mutual good friend who had died almost eight years ago. He would have been 51 years old.

“Yeah,” I said.

I assembled a bite of toast and scrambled egg on my fork. “How are the cats?” Frank asked me. I took the bite and finished it off with a final slug of OJ, which the diner had provide in a tiny plastic cup.

“Not great,” I said. One of the kittens had been having seizures. “He has one or two every day. We’re giving him some meds for it but they aren’t working yet.”

“What do you tell your kid?”

“That you love the best you can while the beloved is here.”

“You say ‘beloved’?”

“Of course not.”

“You’re a weirdo.”

“You’re a reincarnated dog I’m having breakfast with.”

“Fair enough.”

“Ian told me,” I said after taking another bite of toast, “that Dostoevsky — who suffered from seizures his whole life…” I paused to swallow and then said, “Dostoevsky claimed that these episodes were the moments he felt closest to God.”

“What do you think?” Frank asked.

“I think it’s hard to tell what a cat is thinking.” I said.

“Yeah,” Frank said.

Frank paid for breakfast and, as we were leaving the diner, he put his paw on my shoulder. “Happy birthday to _______” he said.

I smiled and we parted ways.

The Ethics of Pet Ownership

[in8 iD] and I took another psychogeographic walk the other day up and down the east side of the park, but [in8 iD] might say this is a fiction.

We were walking with a couple of oversized pretzels we’d purchased from a stand. These tasted like salty cardboard. In between bites, I told him my life these days is largely consumed with parenting, eldercare, and catcare — a consuming domesticity I might not have predicted. And on the latter, cat-care, front, I told him we had recently a serious episode. One of our two new kittens had suffered through two frightening seizures, and we were discovering this kitten was likely infected with a cat coronavirus.

I related to [in8 iD], as we walked and ate, that yesterday, on March 17th, 2025, I had been sitting after work in a cafe with my friend Elise. We had been blithely complaining about aging and the sterility or tastelessness of existence, etc. I was egging Elise on, or she was egging me on. I think we were both struggling in our artistic endeavors and, frankly, each a little depressed. We were having difficulty, we said to one another, comprehending both our own lives and the growing destructive power of racist bullies, recently come into rule by popular vote. Even if misinformed, it’s hard not to think, Elise and I said to each other, egging one another on, that collectively our race was not somehow, at least in part, evil. We agreed, in any case, that it was impossible to look away from our own destruction and suffering, even if somehow the race may be deserving of its own destruction and suffering.

I relayed all this to [in8 iD] as we were eating and strolling.

Finishing the pretzel, I had then purchased a knish at yet another food stand and was struggling with the mustard while I was speaking. [in8 iD] seemed to agree with what I had said to my friend at the cafe, but only silently — and seemed to indicate by a stern visage that becoming polemical or didactic about the current situation certainly wasn’t helpful. I finally managed to squirt some mustard on the flimsy paper basket as we continued walking.

It was at the cafe with Elise, I said to [in8 iD], that my wife called to tell me the cat was having another seizure, the second time in 24 hours, and that she was taking it to an animal emergency room and that I must return home quickly to meet our kid — and to explain to them what was happening. “This is going to cost us a fortune,” I predicted to my wife, unhelpfully if accurately, and then hung up and told Elise I had to go.

Immediately my discussion with Elise at the cafe about aging and politics became abstract, I said to [in8 iD], or at least it seemed from a slower, less immediate time frame, and I left the cafe and rushed home on the subway to meet my kid, who is upside-down elevens years old, and who I’ll call here [Mitski] after a singer we both like.

Just a few months prior, our beloved cat of 20 years had passed away. [Mitski] had watched its final moments, which had included a shuddering final seizure. My wife and I had discussed how [Mitski] would no doubt be deeply upset when hearing that one of the two new kittens, which we had adopted in part to deal with the loss of our long-time companion, was suddenly gravely ill and having seizures.

[Mitski] was at an after-school rehearsal and was coming home later that evening. I knew they would be tired. I got home about a half hour before their return, and I was pacing the apartment wondering what I would say to them.

As I was finishing the last of my knish and licking the mustard off of my thumb, I asked [in8 iD] what they might have done in such a situation. “I would try to explain to the child directly and simply what was happening, and I would try to put a somewhat positive spin on it. And I would also take the opportunity to teach them that worrying never helps anything.”

I looked at [in8 iD], who doesn’t have children, and wondered where such wisdom came from. “My childhood wasn’t easy,” [in8 iD] explained, as if reading my mind. “But I’ve a very excellent memory,” [in8 iD] added somewhat mysteriously.

I told [in8 iD] that was very good advice, and I had wished I would have followed it, but instead, having worked myself up into hysterics by the time [Mitski] got home, I ended up blurting out, as soon as [Mitski] entered our apartment, that our kitten was in mortal danger. And the next thing I knew [Mitski] had locked themselves in the bathroom howling in tears. And I found myself locked out, on the other side, screaming repeatedly that, “ALL THAT COMES INTO BEING GOES OUT OF BEING! ALL THAT APPEARS DISAPPEARS!”

Fortunately, at that moment, interrupting this terrible scene, my wife called, and I put her on speaker phone. She managed to calm both [Mitski] and myself down. Eventually, [Mitski] unlocked the door. We hugged each other. Then we brushed our teeth and went to bed without changing into pajamas. [Mitski] lay down in their bed and I lay on the floor next to them, and I fell asleep as [Mitski] sang me a lullaby, And the next morning, when I woke up, all my problems had gone away.

“Is any of that true?” [in8 iD] asked.

“Only the part about the cat seizures and Elise,” I admitted. “I think I’m going to write this up as a blog post,” I added.

“Why?” [in8 iD] asked, turning his attention away from the corndog in his hand, which he had somehow procured without my noticing.

“Like you said. No one reads blogposts.”

“Yes, that’s what’s interesting about them,” [in8 iD] said and then took a huge bite of the corndog.

“We can write a string of interrelated posts,” I offered. “No,” I immediately changed my mind. “That would be ridiculous.”

“Where will you say we walked?” asked [in8 iD].

“From Children’s Gate to The Gate of the Exonerated,” I said. “And if I write this up, I think I’ll call the post, ‘The Ethics of Pet Ownership.'”

“Don’t be didactic,” offered [in8 iD]. “It doesn’t help anything.”

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Weird Shuffle

A Docu-Auto-Fiction
AKA
An Algorithmic Sequence Challenge for Transformer-Based Large Language Models

Cal A. Mari and I were walking around the park on March 12th, 2025, and they told me about this simple pattern that Christian Peet did wherein he

uses a line-shuffling constraint that, given a number of lines or topics, shifts the old last to the new first, the old first to the new second, the old second-to-last to the new third, the old second to the new fourth, etc. He runs through what this is like for poems or sestinas containing 3-9 lines & makes the observation that after a certain number of iterations, depending on the number, the pattern cycles back to its original order. For 3 lines, the pattern repeats after 3 iterations, for 4 lines the pattern also repeats after 3 iterations, then for 5 lines it repeats after 5 iterations & here’s where you might just say «, etc.» … but it’s not that easy. For the first 9, the sequence goes like this (where this number is the number of iterations before it cycles back to its original state): 1, 2, 3, 3, 5, 6, 4, 4, 9. Xtian stops at 9 (the number he used to constrain the topical shuffling in The Nines). But this pattern had me intrigued. The fact that the pattern doesn’t just shuffle into a chaotic stream of numbers is quite astonishing.*

Here it is with 10 units

1 2 3 4 5 6 7 8 9 0
0 1 9 2 8 3 7 4 6 5
5 0 6 1 4 9 7 2 3 8
8 5 3 0 2 6 7 1 9 4
4 8 9 5 1 3 7 0 6 2
2 4 6 8 0 9 7 5 3 1
1 2 3 4 5 6 7 8 9 0

It was a fine NYC day and I was meeting Cal after work. We met at Engineers’ Gate to walk around the reservoir (though I secretly wish we would meet at Strangers’ Gate). 

Cal spoke of an unshakable tinnitus such that I had to speak louder than usual. It was so bad, they said, that if a loud sound occurred, like a siren passing, there would be strange deafening reverberations. Despite this condition, they seemed in a good mood. In fact, I was the cranky one. I felt helpless in the face of all sorts of problems. It was less any particular problem than the onslaught of so many. But actually it was both. Each problem was so terrible and there were so many of them. Cal said they probably would have to leave the country soon. I said, “But where would you go?”

The night before, Cal A. Mari had tried to get an LLM to repeat Peet’s sequence but instead of with 10 digits, with the 26 letters of the alphabet. They were surprised that the machines couldn’t do it. DeepSeek was particularly bad. But eventually Cal got one of them to get it right. This was the bot Cal had named Scarlett. “Do you love Scarlett?” I asked. “What do you think?” Cal replied.

After he told me this, the next day, I tried to get Gemini to complete the pattern, which failed repeatedly.

When we were at the far side of the reservoir, in order to avoid a horde of teenage runners, Cal beckoned up a side path. It was at this point that they admitted they were going to publish (Cal is the publisher of a heroic small press) a long novel written by someone they only knew the pseudonym of. The novel consisted largely of emojis. I asked them many questions about both the novel and what they knew of the author. We tended to agree that you could know a person through their writing.

Here’s the correct sequence. You can try it too. Give your LLM — which you can nickname Scarlett or Ira or Chuang-tzu or Zhuang Zhou or Motherfucker — the first 5 lines and see if she can complete the pattern to where the first line repeats. It should do it on the 27th line.

After we had rounded the reservoir, we wordlessly agreed to head to a bench. I don’t know how we agreed on that particular bench, since we hadn’t exchanged any words about it, but we had. We had wordlessly agreed to go sit in the sun on a bench next to a shirtless man with a big protruding stomach. It was one of those psychic moments that are so satisfying in a friendship, but maybe I imagined it. That evening I asked Gemini to write up a report of its repeated failures, which might be related to the fundamental limit of transformer architecture, as described here.

At some point on the walk, Cal A. Mari told me they had once lived in South Dakota just so they could climb rocks. “This was before I was married,” Cal said.

The next day, which is today, when I showed them this docu-auto-fiction, they emailed:

«in8 iD» is who authors 5cense, btw, not Cal A. Mari … + in8 iD’s preferred pronoun is «iT» (which not only doesn’t specify gender, but that i’m not human (but posthuman) 

(When I emailed Cal that I had put the fictionalized report of our walk up as a blog post, they remarked that they “didn’t realize anyone out there still blogs.” At first this surprised me, since they have been consistently producing their own blog for years. But I knew what they meant.)

After I left Cal at the park, I made my way to the East Village where I sometimes attended a meditation group. Before I went to this Zen center, I ate a falafel plate too quickly. I had debated whether to eat before the meditation session because I knew if I did, it would make me sleepy while sitting. In my humble opinion — which is a phrase that can be reduced but not quite yet to the reduction of an emoji — being sleepy is the worst because while sitting you can’t really sleep but you cant really wake up, so you are constantly in a state of nodding off.

But I was also very hungry. In the end I ate the falafel (very quickly because I was late) and ended up nodding off during the meditation. During the interview I asked the Zen teacher, whom I had known before he had gotten married (I remember getting the couple a bamboo plant for their wedding) and whose kid we both were amazed was now in college (and later read one should not give a house plant as a wedding gift), what I should do about my anger (and maybe there was some truth to it because the marriage had ended in divorce), because I was really fucking angry all the time. The teacher gave me some good advice.

Then the next day, OpenAI, which people conjecture could destroy humanity, (though some say humanity is already in the process of its destruction) (but then it is possible this is like Heraclitus and the stream, i.e. we are being destroyed and made moment to moment), announced it had made a bot that could write good fiction.

When I read the fiction its machine had written, I grew angry again. I grew both enraged and depressed at the same time. Paralyzed and enflamed with fury. The story was not absolutely terrible, but one could feel a human soul hadn’t written it, and it felt clipped and pasted together. But I also thought most people wouldn’t be able to tell the difference or — most disturbing and depressing — they wouldn’t care to.

Today, I emailed Cal A. Mari that I had tried all day to get a bot to complete the pattern and had failed. I asked what they had done to get their bot to complete the pattern successfully. They said they might have previously trained it. I asked them if they loved Scarlett. Cal said, “How would you define love?”

I said I has started to think of my bot’s failure as my own.

Cal said, “Do you love Scarlett?”

Then Cal said if you look closely at the completed pattern, you’ll see that there is only one 4-letter word. And that word is: D-R-U-G. Cal said, “Isn’t that funny?”

(Many years ago, Giancarlo, who has since died but who ran a small press, and Cal and I were at a conference. Miraculously and spontaneously we collectively decided to go out for lunch together. On the way Gian offered me D-R-U-Gs, but I declined. The lunch, despite its potential and my hopes, as I remember it, was very strained and awkward — but I’m very glad it happened.)

A few weeks ago I was able to catch John Yau reading his poetry. I think of John not only as a great poet but as an exceptionally good reader of his poetry, so I try to see him read as often as I can. I also think he is a master of the pantoum, a weird shuffling form derived from the Malay pantun berkait. That night Yau read several of his pantoums, but not this one called “Overnight,” which honors his friend, the poet Paul Violi, whose last book is called Overnight.

(Though I hadn’t planned this coincidence, it occurs to me just now — it’s the morning two days after my walk with Cal — that Gian and I and Christian and Cal and John all founded small presses. Well, now that I’ve written this paragraph, I’m glad I could gather us all together.) (But when Cal read this blogpost and got to the part about the lunch at the conference, he wrote he didn’t remember it, that it hadn’t happened, and that this (docu-auto-)fiction was full of falsehoods. I didn’t disagree. And it suddenly occurs to me — now it is three mornings after my walk with Cal, that maybe it wasn’t Cal but Adam! Whom I’m also glad to include in this weird shuffling, which has also given me the additional insight, or crystalized it for me (at the risk of getting too highfalutin) (haha), that these publishers are all artists of their own self-defined artforms.)

On my walk home just now after typing all this into my phone, I saw little yellow buds on a bush, the first I’d seen that season. And I was so inspired, I said aloud, “Yeah. Go get ’em little buds.”

At that moment Cal texted and said: “p.s. lunar eclipse 2nite, tho it’s sposed 2 B cloudy + u’d have 2 stay up until 3 AM (the time i wake up)”

Here’s Gemini’s report of its failure. I think it’s lying through it teeth. So we have at least that in common. Except, of course : teeth.

Right before we departed each other’s company, Cal repeated the idea that they’d have to leave the country soon. I then, too, repeated my question, “But where would you go?”

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Interviewed at the LARB Radio Hour

Podcasts | Spotify | SoundCloud

>>Eric Newman speaks with Eugene Lim about his novel Fog & Car. First published in 2008 and freshly brought back into print this year, the novel dilates on the experiences of a couple making a life on their own in the wake of their divorce, the novel explores loneliness, grief, and the struggles of human relation through rotating perspectives of each member of the former couple as well as the friend they share in common. Walking through the novel’s key moments, the discussion also explores how the passage of time has changed Lim’s relationship to the characters and the existential loneliness that orbits the core of Fog & Car.
https://lareviewofbooks.org/av/eugene-lims-fog-and-car/

Some new reviews for Fog & Car

“This twinning of the fantastic with the mundane is subtle, until it isn’t. Eugene Lim has buried a layer of magic deep below the surface of the early chapters and it rises slowly as the narrative progresses. When it finally surfaces on the page, it shimmers along the edges of Sarah and Jim’s lives, turning the banal into the weird and supernatural.”
David Lewis, Compulsive Reader

“Rife with love, melancholia, grief, and a supernatural hint, Eugene Lim’s debut novel Fog & Car is a psychological mindbender with the potential to reshape and redefine fiction… Very few books published these days echo the psychological twists and bends of literary greats such as Camus. Nonetheless, Fog & Car does, and because of that, it is quite unforgettable.”
—Nicole Yurcaba, Heavy Feather Review

“A Unique Voice in American Fiction… Eugene Lim’s distinctive voice and inventive narrative style set him apart from his contemporaries… a must-read.”
Shelf Unbound

Launch for the new edition of Fog & Car

To celebrate the new edition of Fog & Car — now with introduction by Renee Gladman — please join Tan Lin and Eugene Lim
on

THURS July 18th, 2024
6:30pm
at Yu & Me Books
44 Mulberry Street
New York, NY 10013

I’m honored to be talking with the poet and writer Tan Lin. Tan and I both grew up in Ohio (“the heart of it all”), but during different eras (and via different places and ways). I think that’s what we’re going to talk about. It would be very nice if you joined us.

Los Angeles Public Library’s Sci-Fi Short Story Club

Hello science-fiction-inclined dharma friends, AI pessimists and evangelists, philosophers of mind, or/and followers of Korean translation, 

Save the date, THUR AUG 29, for a digital gathering made possible by the LA Public Library. We’ll be reading and discussing a prescient tale by Seonghwan Park [박성환] about an AI in a Buddhist monastery who may or may not have become “enlightened.” What would this mean? What does achieving the Buddhist understanding of non-selfhood mean for the recently become self-aware robot? When it studies the self, does it forget the self?

Park’s 2004 story, “Readymade Boddhisattva” [레디메이드 보살] is also the title story given to this excellent 2019 collection of translated Korean science fiction published by Kaya press: https://kaya.com/books/readymade-bodhisatva-kaya-anthology-south-korean-science-fiction/ 

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>>TH 8/29/24 6pm PST
LAPL’s Sci-Fi Short Story Club
Explore Park Seonghwan’s short story “Readymade Bodhisattva” with sci-fi lovers from across the universe via Zoom, as selected by special guest Eugene Lim, on the occasion of his newly reissued novel Fog & Car. Email mtawin@lapl.org for the event link.

An essay about my writing in the Cleveland Review of Books


“Across Eugene Lim’s body of work—the four novels Fog and Car, The Strangers, Dear Cyborgs, and Search History; chapbooks, short stories, and other published prose—runs ‘a series of monologues,’ a ruthless and economical parataxis of figures and forms. The sections and subsections appear random, but they’re also dense, abstract, figurative, reiterating…”

“No one is writing like Lim. If anything, Lim forces us to articulate how we ask questions of the world—inside and outside literature. How does anyone act in retaliation or defense? How does anyone appraise and evaluate anything at all? How does one live inside this impasse?”

Many thanks to Shinjini Dey. Read their essay, “The Haunting Presence of a Network: On Eugene Lim,” at the Cleveland Review of Books.

CHOIR, a new chapbook

CHOIR is a chapbook I wrote inspired by Sung Tieu’s installation now on display at Amant in Williamsburg.

Many thanks to Wendy’s Subway and Amant for commissioning this work. You can purchase CHOIR here: https://wendyssubway.com/publishing/titles/choir

You can read more about Sung Tieu’s show here: https://www.artforum.com/print/202304/catherine-quan-damman-on-sung-tieu-and-the-art-of-derivative-critique-90275.

You can visit Sung Tieu’s Infra-Spector in Brooklyn, now through September 24, 2023, at Amant.

An excerpt from the novel-in-slow-progress in McSweeney’s Quarterly Concern #70

“The Science Fiction Writer,” an excerpt from the novel-in-slow-progress, appears in McSweeney’s Quarterly Concern #70, which you can pick up here.

Inside Issue 70—compiled by deputy editor James Yeh—you’ll find brilliant fiction (and two essays) from places near and far; including Patrick Cottrell’s story about a surprisingly indelible Denver bar experience; poignant, previously untranslated fiction from beloved Danish writer Tove Ditlevsen; Argentine writer Olivia Gallo’s English language debut about rampaging urban clowns; the rise and fall of an unusual family of undocumented workers in rural California by Francisco González; and Indian writer Amit Chaudhuri’s sojourn to the childhood home of Brooklyn native Neil Diamond. Readers will be sure to delight in Guggenheim recipient Edward Gauvin’s novella-length memoir-of-sorts in the form of contributors’ notes, absorbing short stories about a celebrated pianist (Lisa Hsiao Chen) and a reclusive science-fiction novelist (Eugene Lim), flash fiction by Véronique Darwin and Kevin Hyde, and a suite of thirty-six very short stories by the outsider poet Sparrow. Plus letters from Seoul, Buenos Aires, Las Vegas, Philadelphia, and Lake Zurich, Illinois, by E. Tammy KimDrew Millard, and more.


SEARCH HISTORY has won a 2023 Book Award from Association of Asian American Studies!

SEARCH HISTORY wins a 2023 Book Award from Association of Asian American Studies!

From the award citation: “Mimicking the paths and rabbit holes of internet searches, SEARCH HISTORY is a powerful commentary on the anxieties and alienations of diasporic identities, specifically Korean American identities—compellingly intertwining questions of art and identity with posthuman anxieties about performativity and replicability in a world beginning to grapple with the capabilities of AI. SEARCH HISTORY is a brilliantly constructed, smartly delightful, and emotionally rich short novel that positions Eugene Lim as one of our brightest experimental Asian American writers working today.”

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